 Sights
Don Hoi Lot: A sandbank on the mouth of the Mae Klong River. It was formed by the sedimentation of sandy soil which the villagers here call "Sai Khi Pet". In the area of the sandbank there are many shellfish such as Hoi Lot (razor clam), Hoi Lai (undulated surf clam), Hoi Puk (Ridged Venus clam), Hoi Pak Pet (tongue shell), Hoi Khraeng (cockle) and many more.
Wat Satthatham or Wat Mon: The ordination hall is made of golden teak with mother-of-pearl-inlay walls, both inside and outside. Housed inside the ordination hall are Buddha images: Luangpho Ban Laem, Luangpu Thuat Yiap Nam Thale Chuet, and Luangpho Phuttha Sothon.
Wat Khao Yi San: The Viharn on the hilltop is a boat-shaped hall where four Buddha footprints are enshrined. The Phra Non Cave has a reclining Buddha image with nine toes. At the lower part lies the sacred shrine of Luangpho Pu Si Racha which is respected by the villagers.
Ban Khao Yi San Museum: The museum presents the stories of the community which are important and worth a study. On the ground floor, there are displays of folk wisdom, life and culture, tools for making herbal medicine, and household utensils.
Wat Ban Laem or Wat Phet Samut Worawihan: Inside the temple compound, there is a Sangha museum with displays of Buddha images, amulets of different periods, ancient artefacts, blue-and-white porcelain, and a pulpit of the Ayutthaya period.
Chang-Eng Siamese Twins Memorial and Boat Museum: The statues were built in memory of Chang and Eng, the Siamese twins who made Thailand famous around the world. Chang and Eng were joined to each other at the chest. However, both of them could live a normal life to the age of 63.
Talat Nam Tha Kha: This floating market still is part of the villagers’ way of life. The villagers here do farming and grow various plants. They usually paddle a boat to bring their produce to sell to each other.
Wat Chula Mani: This ancient temple sits on the bank where the Amphawa Canal connects with the Phi Lok Canal. The back of the temple was initially the residence of Khun Nak (Queen Ammarinthramat of King Rama I) and Khun Bunrot (Queen Si Suriyenthramat of King Rama II).
Wat Bang Kaphom: The old Wihan (image hall) is very interesting. In the centre of the hall, a large replica of four superimposed Buddha footprints in different sizes is enshrined. The footprint at the deepest level, which is made from mother-of-pearl inlaid wood, still retains its beautiful design.
Wat Amphawan Chetiyaram: It is a temple associated with the royal lineage of Bang Chang. The back of this temple was once a residence of Luang Yokkrabat (King Rama I) and Khun Nak (Queen Ammarinthramat of King Rama I). The Ubosoth (ordination hall) and permanent structures within the temple were mostly formed in the early Rattanakosin style of art and architecture.
King Rama II Memorial Park is the project to honour King Rama II by the King Rama II Memorial Foundation. The area is important since it was a birthplace of King Rama II. Within the King Rama II Memorial Park, is the King Rama II Museum, comprised of four Thai-styled buildings separated into sections.
Ban Phaya So: "So" (a type of fiddle) is a local musical instrument of the Central Thai Region. Ban Phaya So is a house of the alto fiddle (So U) maker who combines the art of traditional Thai music with carving. Nowadays, this art is rarely seen.
Wat Phummarin Kudi Thong: the Kudi Thong, a "golden- teak monk’s cell", has an unusual history where the father of Khun Nak (Queen Ammarinthramat) had her fortune examined by the abbot of Wat Bang Li. The abbot foretold that the daughter would become a queen. The millionaire father, therefore, promised to build a Kudi Thong for the temple if the abbot’s words proved true.
Ban Dontri or House of Music: A school building is used for instructing traditional Thai music. The Samut Songkhram Primary School Office has envisioned that the cultural value of folk wisdom should be preserved and inherited to the next generation for their pride in the future.
Wat Bang Khae Yai: The large Ubosot (ordination hall) is more than 150 years old. At the front, the square Chedi (pagoda) with twelve indented corners is in the style of the Ayutthaya period. The laterite principal Buddha image in the ordination hall is in the posture of Subduing Mara.
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